· 威尔汉姆·哈莫修依肖像
威尔汉姆·哈莫修依(1864—1916),是北欧斯堪第纳维亚(Scandinavia)地区著名画家,从8岁接触绘画到定居哥本哈根潜心创作,哈莫修依“去情绪化”的单纯风格与偏冷色调的画风,既让他与所处时代新潮艺术格格不入,又使他独具魅力。
哈莫修依的绘画主题多以居家生活和妻子的肖像为原型,既贴近现实,又因过分安静颇显神秘。开合的门、透进阳光的窗户、静立或安坐的背影,仿佛隔绝了现世,人物在另一个真空般的环境中生活着。你看那画面中无丝毫气息,它同时也不需要被谁“听到”。即便如此也不让人觉得压抑,大片冷色渲染的画面中似有深厚的情感呼之欲出。
▼ 哈莫修依作品欣赏
· Interior, Bredgade, 1911
· Interior, 1893
· An Old Woman, 1886
· Interior with a Young Woman Sweeping, 1899
· Ida Reading a Letter, 1899
· Interior, 1899
· Portrait of Young Woman, the Artist's Sister, Anna Hammershøi, 1885
· Interior from Strandgade with Sunlight on the Floor, 1901
· Interior with the Artist's Easel, 1910
· Interior of the Great Hall in Lindegaarden, 1909
· Interior of the Church of Santo Rotondo in Rome, 1905
· Interior with a Woman at a Sewing Table, 1897
· The Coin Collector, 1904
· Interior with a Lady Reading, 1900
· Four Rooms, Interior from the Artist's Home, Strandgade 25, 1914
· Bedroom, 1890
· Interior, Strandgade 30, 1899
· The Balcony Room at Spurveskjul, 1911
· Figures by the Window, 1895
· Interior with a Bust
· Interieur. Strandgade 30, 1903-04
· Portrait of Ida Ilsted, Later the Artist's Wife
· Woman Seen from the Back, 1888
· The Buildings of the Asiatic Company, seen from St. Annæ Street , 1902
· The Tall Windows, 1913
· Interior with Woman Sitting at a Table, 1910
· Une Ancienne Cour de Christianshavn, 1899
· Sunbeams or Sunlight
里尔克(Rainer Maria Rilke)曾这样评价这位丹麦画家:
“哈莫修依不是一个应该草率介绍的艺术家。他的作品往往在某一个时空中转译为冗长而舒缓的步调,并且提供观赏者谈论艺术里最基本且最重要的元素。”
丹麦国家画廊曾拒绝收藏哈莫修依的画,捐赠给美术馆的画也被退件,这对他打击很大。但哈莫修依并未因此选择迎合当时的艺术品味,只是依他的方式画他熟悉的街道。追逐名利还是保守内心世界的平和,在哈莫修依看来已无需多言。而在酷热喧扰的盛夏中,凝神欣赏一幅他的画作,多少也能带走些内心“流窜”的浮躁。
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