【受访人】
李小龙（英文名：Bruce Lee，1940年11月27日－1973年7月20日），本名李振藩，出生于美国加利福尼亚州旧金山，祖籍中国广东省佛山市顺德区均安镇，世界武道变革先驱者、武术技击家、武术哲学家、功夫片的开创者和截拳道创始人、华人武打电影演员，中国功夫首位全球推广者、好莱坞首位华人主角。
他在香港的四部半电影3次打破多项记录，其中《猛龙过江》打破了亚洲电影票房记录，与好莱坞合作的《龙争虎斗》全球总票房达2.3亿美元。
1962年李小龙开办“振藩国术馆”，1967年自创截拳道，1973年7月20日，李小龙在香港逝世，年仅32岁。1993年获香港电影金像奖大会颁发“终身成就奖”。
【双语演采访稿】
伯 (B)：皮埃尔·伯顿，采访人
李 (L)：李小龙，受访人
B: They say the secret of your success, inthat movie theBig Boss, which issuch a success, you rocketed to the star in Asia was that you did your ownfighting. As an expert in various martial arts in China, what did you think ofthe fighting that you saw in the movies that you studied before you became astar?
伯: 《唐山大兄》这部电影非常成功，你在亚洲一跃成为超级巨星。有人说你成功的秘诀是你采用了自己的打斗方式。作为精通多种中国武术的专家，在你成为明星之前，对于你研究过的电影中的打斗场面，你是怎么看待的？
L: Well, I mean definitely in the beginningI had no intention whatsoever that what I was practicing and what I'm stillpracticing now would lead to this, to begin with, but martial art has a veryvery deep meaning as far as my life is concerned because as an actor, as amartial artist, as a human being, all these I have learned are from martialart.
李：可以肯定的是，我一开始从来没有想过我做的和我现在还在做的能引导向今天的地步，我先声明一下。武术对我的人生有极其深刻的意义，因为不论是作为演员，还是武者，甚至是单单作为一个人，这一切我都是从武术中学到的。
B: But tell me a little bit, you’ve set upa school at Hollywood, didn't you? For people like James Garner and Steve Mcqueenand the others.
伯：讲讲你在好莱坞开了一间武馆的事吧，你教詹姆斯·加纳、史蒂夫·麦昆、詹姆斯·柯本他们练武。
L: Yes.
李：对。
B: Why would they want to learn Chinesemartial arts, because of a movie role?
伯：他们为什么要学中国武术？是为了电影角色吗？
L: Not really. To me or at least the way whenI teach it, all type of knowledge ultimately means self-knowledge. So therefore,they are coming in and asking me to teach them not so much of how to defendthemselves or how to do somebody in. Rather they want to learn to expressthemselves through some movements be it anger, be it determination orwhatsoever. So in other words, what I'm saying therefore is that he is payingme to show him, in combative form, the art of expressing the human body.
李：并非如此。我个人认为，或者说至少我是这样教的，所有形式的只是最终都是为了认识自我。所有他们到我这里让我教他们武术，不是为了自我防卫或者是要把谁揍扁，而是学习怎样通过身体的动作来表达自己的情感，比如愤怒、决心等等。因此换言之，我的意思是他们给我交学费，让我以格斗的形式向他们展示人类身体表达的艺术。
B: Which is acting, in a sense, isn’t it? Orit would be a useful tool for an actor to have?
伯：某种意义上讲就是表演，对吗？或者对演员来说是有用的工具？
L: It might sound too philosophical butit's unacting-acting or acting-unacting.
李：可能听起来会太哲学，它其实是不表演的表演或者表演不表演。
B: You've lost me!
伯：你把我搞晕了。
L: So what I'm saying actually, you see, Imean it's a combination of both. I mean, here it is the natural instinct andhere is control. You ought to combine the two in harmony. If you have one tothe extreme you will be very unscientific; if you have another to the extremeyou become all of a sudden a mechanical man, no longer a human being. So it isa successful combination of both. So therefore, is not pure naturalness orunnaturalness. The ideal is unnatural naturalness or natural unnaturalness.
李：我的意思是说，武术是二者的结合。一边是自然的本能，而另一边是克制。你要将二者和谐地结合在一起。如果你这一边走向极端，就会变得不科学；那一边走向极端，你就一下子变成机器人，而不再是人类了。所以武术是两者成功的结合。因此武术不是纯粹的自然或不自然，理想状态是克制之下的本能或者本能引导下的控制。
B: Yin Yang.
伯：阴阳。
L: You right, man.
李：没错。
B: Can you remember the lines by Stirling Silliphant,the key lines?
伯：你还记得史达灵·施里芬写的关键台词吗？
L: He's one of my students, you know?
李：他也是我的学生。
B: Was he too? Everybody!
伯：他也是吗？所有人都是你的学生！
B: There were some lines are expressions ofyour philosophy, I don't know if you remember them.
伯：有一些台词表达了你的哲学思想，我不知道你还记不记得。
L: I remember them.
李：我记得。
B: Let’s hear.
伯：让我们听一听。
L: This is what it is, ok?
李：我是这么说的。
B: You talked in theLongstreetplayed by James Franciscus.
伯：你在詹姆斯·弗朗西斯演的《盲人追凶》里说的。
L: I said “Empty your mind. Be formless. Shapeless.Like water. Now you put water into a cup, it becomes the cup. You put waterinto a bottle, it becomes the bottle. You put it in a teapot, it becomes theteapot. Now water can flow or it can crash. Be water my friend.” Like that, yousee?
李：我说：“清空你的头脑。变得无相无形。像水一样。将水倒进杯子，它就变成杯子的形状；将水倒进瓶子，它就变成瓶子的形状；将水倒进茶壶，它就变成茶壶的形状。水静如细流，动可滔天。变得像水一样吧，我的朋友。”我就是这么说的。
B: Alright, see, I got the idea.
伯：明白了，我理解你的意思了。
Terrence123
！！！！！！！