声音简介
Gustav Leonhardt, harpsichordist（大提琴演奏家） and father of the early-music movement, died on January 16th, aged 83.
A CONCERT by Gustav Leonhardt was not like any other. He approached his harpsichord（大键琴） with the air of a mortician（殡葬师）, slightly flexing（弯曲） his long, delicate（纤细的） hands. As he played he sat bolt upright（十分笔直）, gaunt（枯瘦的 憔悴的） and aquiline（像鹰嘴状的）, unsmiling（严肃的） in his crisp（脆的）, perfect suit（西装）, with his elbows（手肘） held（紧握） close to his sides. No unnecessary gesture, no hint（暗示，线索） of emotion: senza baldanza, as a composer might have marked it. He did not have the look of a man on a mission（执行任务时）. But he was（是十足的男人）. Mr Leonhardt's life-work was to persuade the world how beautiful the harpsichord was, and how the harpsichord repertoire（保留曲目） should be played. When he first fell in love with it, in the shape of the fairly bad instrument his parents bought for their house at Graveland in the Netherlands, he recognised it as the king of keyboards. Organs（风琴） were noble characters, and he played church organ for years。
大键琴演奏家和早期音乐运动之父古斯塔夫·莱昂哈特（Gustav Leonhardt）于1月16日去世，享年83岁。
古斯塔夫·莱昂哈特的音乐会没有其他人。他以仪馆的风气接近大键琴，略微弯曲了他纤细而纤长的双手。当他演奏时，他直立，步态敏捷且呈水线坐姿，穿着简洁明快的西服，对着他的肩膀微笑，手肘紧贴身体两侧。没有多余的手势，没有丝毫情感：作曲家Senza Baldanza可能已将其标记出来。他在执行任务时没有男人的神色。但是他是。莱昂哈特先生的一生是要说服世界，使大键琴变得多么美丽，以及如何演奏大键琴的曲目。当他第一次爱上它时，以他父母为荷兰Graveland的房子购置的相当糟糕的乐器的形式，他认识到它是键盘之王。器官是高贵的人物，他演奏教堂风琴已有多年了。
Virginals（小建琴，无暇的） were pleasing; he wrote a book on Flemish examples（弗莱芒语范例）. But fortepianos（古钢琴） were awful（糟糕）, the sound muffling（消声，削弱） all over the place when the hammer（桩锤） hit the keys, which put him off playing his beloved（挚爱的） Mozart; and modern grands（三角钢琴） were unspeakable（难以言喻）. None had that direct pluck（弹拨） of plectrum（琴拔） on string（琴弦） for which he loved the harpsichord（大键琴）-though that mechanism was also fearsomely（可怕的） exacting, even "diabolical（）恶魔一般的", and that was why he did not smile as he played. It would also have been vulgar（粗俗的）. Mr Leonhardt was ever on the watch（提防着） for that, whether in the form of electric lighting, or showy（艳丽的） articulation（关节 清晰发音）, or hotel breakfast buffets（自助餐）, or Beethoven's Ninth. " That 'Ode to Joy（欢乐颂）', talk about vulgarity（粗野的动作）! And the text! Completely puerile（）（孩子气的）! " His own manners were exquisitely（精致地） courteous（有礼貌的）; he seemed to have stepped from the past（从远古而来 ）, and even a shockingly（不正当地） fast drive（驾驶） in his Alfa Romeo（阿尔法，罗密欧） might end with Mr Leonhardt, lost, finding his way home not by sat-nav（卫星导航） but the stars. When he began to study （大键琴）seriously, at Basel in 1950, the instrument had been neglected, or overlaid （覆盖）with Romantic sweetness（愉快）, for decades。
处女很讨人喜欢他写了一本关于佛兰德范例的书。但是长笛演奏者却很糟糕，当锤子敲击琴键时，声音到处都是消音，这使他无法演奏自己心爱的莫扎特。和现代大人物都难以言喻。没有人像他喜欢大键琴那样在琴弦上弹拨子，尽管那种机制令人恐惧，甚至是“恶魔般的”，这就是为什么他在演奏时不笑。这也将是低俗的。莱昂哈特（Leonhardt）先生一直为此而关注，无论是采用电灯照明，华丽的发音，酒店自助早餐还是贝多芬第九名。 “那“欢乐颂”，谈论庸俗！还有文字！完全薄利多销！”他自己的举止非常彬彬有礼。他似乎已经过去了，甚至在他的阿尔法罗密欧（Alfa Romeo）上以惊人的速度行驶时，可能会以迷失的Leonhardt先生而告终，找到回家的路不是靠卫星导航，而是靠星空。当他1
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