《南方车站的聚会》：周泽农为什么不逃跑？

最近去看了胡歌、桂纶镁主演的电影《南方车站的聚会》，英文名直接很多--The Wild Goose Lake，野鹅塘。因为影片讲述的就是在野鹅塘湖区发生的故事。

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【英文参考】

A gangster named Zhou Zenong accidentally killed a policeman. He then escaped to a lakeside vacation town with a bounty worth 300,000 yuan on his head. Later a local prostitute Liu Aiai reached out to him, and attempted to help him receive the reward money for his wife and son. 

Classic film noir was developed during and after World War II, taking advantage of the post-war ambience of anxiety, pessimism, and suspicion.

China’s development — its societal changes and its gap between the rich and the poor, between the urban and rural regions — has given us so many stories that we can create from. These stories align themselves easily with the essentials of film noir.

It’s not that I’m forcibly fitting the framework of film noir onto a Chinese story; it’s that Chinese society is such that when I go to tell a Chinese story, it very naturally comes out as film noir.

Belonging comes from being in relationships where you're valued for who you are intrinsically and where you value others as well. 

But some groups and relationships deliver a cheap form of belonging; you're valued for what you believe, for who you hate, not for who you are. 

True belonging springs from love. 

[spring from 来源于... ]