今天我们推出Flux的第三集。这一集的作者是刚从哥伦比亚大学师范学院毕业的Mari Casellato。Mari带领我们进行了一次穿越时空之旅，揭示了巴西（以及其他国家）的青年在参与环境教育上的无限潜力。
说到巴西，你可能会联想到去年那场亚马逊雨林的大火，以及现任巴西现政府博索纳罗内阁经常被指责应对气候危机不力。但事实上，早在20世纪90年代至21世纪初，巴西就率先提出了环境教育的理念，通过全国性的会议汇集了来自各方的声音，并被视为是一场来自青年的Political Act。Mari亲自参与了这段历史。
FreshEd Flux系列节目是一个具有独创性和实验性的播客项目，鼓励和扶持青年研究者利用播客这一创意形式，制作叙事性音频，传递与自己研究领域相关的知识，扩大研究影响力。
更多内容欢迎登陆 freshedpodcast.com/flux-casellato
Credits:
本期节目由Mari Casellato编写、编辑和剪辑。由资深制作人Johannah Fahey、制作人Brett Lashua和Will Brehm指导。Flux主题音乐由Joseph Minadeo（Pattern Based music）创作。
声音演出:
Narrator: Mariana Casellato
History narrator: Tiago Luna
English version of Joao: Alcides Ferreira
English version of Mariana: Renata Penalva
English version of Isis: Aline Godoy
Youth voices: Ajani Stella and Kayley Chery
音乐来源（使用经授权）：
Cacuriá – Mawaca
“Temas tradicionais de cacuriá”
Maranhão – Brazil/Arrangement: Mawaca
Special guest: Tião Carvalho (Voice, cavaquinho and caixa)
Lá na Mata da Amazônia – Seu Antonio and Grupo Cupuaçu
Other music came from the Blue Dot Sessions (www.sessions.blue): Eggs and Powder and Alum Drum Solo; and Soundstripe (www.soundstripe.com) Baiao Baiao, Coco Coco, and Sambita Sambita, all by Hola Hola.
Sound effects retrieved from Freesound.org: Sea sound effect by HowNotToSail and Forest sound scape by jonasrocha.
Former UN Secretary-General Boutros-Ghali speech at Rio 92 audio retrieved from the UN Audiovisual Library: The Earth Summit.
特别鸣谢：
Special thanks to Rachel Trajber and Marcos Sorrentino for their generosity and continued work; to Clóvis, for continuing to be a reference; and to João, for the energy. To Projeto Cala-boca já morreu and all of its participants for so many years of partnership, with special remarks to Grácia for all the inspiration, to Mariana, for the insights, to Tiago, for the great voice, and, to Isis for all the support and companionship now and over the years. To Danilo Fernandes, Ajani Stella, Kayley Chery, Renata Penalva, Alcides Ferreira, Aline Godoy, Daniel Corsi, Carla Hirata, and Caio Mamede for agreeing to lend their voices for this project and for all the support. Finally, to Mawaca, to Tião Carvalho, to Neila Campos Mendes and her family, and to Grupo Cupuaçu for allowing us to use their amazing songs “Cacuriá” and “Lá na Mata da Amazônia” that gave so much life to this project.
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