凯特·布兰切特 | 谈女权和女性力量

I've always identified myself as a feminist, but I was also part of the anti-wave. In the mid 80s and during the 90s, feminism was a dirty word, the conversation that was going on in the 70s, and I think it continued as a negatively into the 80s and 90s was somehow being a feminist meant that you were anti family, and that is just an anathema to me.

我一直认为自己是女权主义，但我也是反对浪潮的一部分。在80年代中期和90年代，女权在当时是个肮脏的词，70年代的时候就是那样讲的，我认为这种负面影响一直持续到80年代和90年代。在某种程度上，女权主义意味着你和家里唱反调，这是我非常厌恶的。

I think feminism is about, at its base, is about equality, but it also means that someone who is holding all the power has to share, and that is a fearful thing for a lot of people.

我觉得女权主义根本上就是追求平等，但也意味着拥有众多权力的人必须分享权力，这对很多人来说是一件很可怕的事情。

True power is about self-respect and respect for others. I think if we survive into the next century, it will be about collaboration, it will involve deep listening, it will involve doubt, it will involve humility.

真正的权力是自尊和尊重他人。我认为如果我们能活到下个世纪，它是一个关于合作的，需要深入倾听的，需要怀疑，需要谦虚的世界。

Women who I greatly admire who have done extraordinary things not only in my industry, but in many different industries. I'll ask them a question, hoping that they're going to solve the problem, and they take the time and have the courage to say “I don't know, what do you think?” And suddenly, you're in dialogue.

我非常敬佩的女性，她们不仅在我的行业里，也在很多不同的行业做出了非凡的成就。你问她们问题希望她们能解决问题，她们花时间和勇气说“我不知道，你觉得呢？”然后你们就开始交流了。

Real power is bringing up other people with you and women are by and large great at doing that. It's being passionate as well, I think, but that's a very human thing. I think I've never separated my identification as a feminist from my humanity.

真正的权力是让别人和一起成长，女性在这方面做的很好，但我认为这是有同情心，这是非常人性化的。我想我从来没有把我是一个女权主义者的认定和我的仁慈分开来看。

Women are talking to each other and talking to people in charge about challenges that they have and how they can get out of those challenges. People are questioning they're lazy thinking, because the enemy of creativity is lazy thinking.

女人们互相交谈，和负责人交谈，讲她们面临的挑战以及她们如何克服这些挑战。人们会质疑她们的懒惰思维，因为创造力的敌人是懒惰的思维。

When you're the only woman in the room, your conversation to become a channel through the way other people think. Your ideas don't get, they're going to get borne aloft, or valued or acted upon.

当你是房间里唯一的女人时，他们的对话可以成为按别人思考的方式讨论，你的想法不受欢迎，它们没有被重视，也没有被付诸行动。

And I think the more diverse, the more exciting the conversation is, because when you're in a homogeneous environment with only the one person represented, whether they're white faces or male faces or female faces, their conversation becomes really monotonous, and it's an anatomy into to creativity.

我认为，越多样化，对话就越令人兴奋，因为在同类环境中只有一个人代表，无论是白人，男性，还是女性，她们的谈话变得很单调，我认为这是对创造力的诅咒。

When you see yourself, your experience written about in a blog space, or a novel, or on television, it expands your sense of what is possible. So I'm really excited about the generations who are coming up behind, you know, my generation. It feels now like there's a lot of growing examples of of women who are finding their own voice. A more secure and brought a platform to be seen by audiences.

当你看到自己，你的经历被写下来，在博客空间、小说或电视上，它拓展了你对可能性的认识，所以我为后代人感到很兴奋。现在很多这样的例子，女性有自己的发言权，有一个更安全，更广阔的的平台被大家看见。

I thought Alma Harold’s work was amazing in Hanoi, and Mariel Heller and Claire Denis ,and all of these people whose work is so fascinating and working on stateless, you know, finally got to work with the wonderful Jocelyn Morehouse and Emma Freeman, who are great television directors, and apart from Ryan, all of the directors are Mrs America were women.

我觉得阿曼·哈罗德的《甜心男孩》这部作品很棒，还有玛丽尔·海勒和克莱尔·丹尼斯，所有这些人，她们的工作是没有国界且非常引人入胜。我终于和出色的乔斯林·莫尔豪斯还有艾玛·弗雷曼合作了，她们都是优秀的电视导演，除了瑞恩，《美国夫人》的所有导演都是女性。

#They say women are like tea bags, you don't know their strength until they get into hot water.#

#她们说女人就像茶包，你不把它们放进热水里你就不知道它们有多强。#

But we'll just make a list, and we want, of course, it went to find the best person for the job, but the list was so long. About 45 really great potential female directors that we thought, gosh, we've got a little this down, that was just off the top of our head, about people who were totally capable and people who we were really excited to work with. I thought this is so easy. Why haven't we been doing this all this time?

我们列了一个表，当然，我们想要找到最合适这项工作的人，但是名单太长了。有45位非常有潜力的女导演，我们想天哪，我们得把她记下来，那是我们不假思索的，那些完全有能力的还有那些我们乐意与之合作的人。我想，这也太简单了，为什么我们之前没这么做？